A Novel in Eleven Parts

If I were to write a novel, in parts, detailing last Friday’s*** adventure , it would probably look something like this:

Part One:
In which Mother and I embark on an iconic road trip across Southeastern Minnesota. Prior to departure, I debate for 4 minutes over which book to choose for my third. First was Persuasion, second was a lighter read on loan from Mother, and third was eventually determined to be This Way for The Gas, Ladies and Gentlemen. It's important to have genre and tone balance amongst one's road trip book choices. And it's important to bring three books. You finish one, you spill a hot beverage on one, and you're still set.

Part Two:
In which I do not read one page, but instead feel the same excited thumping in my chest I felt ten years ago, when I last visited Pepin, Wisconsin***.

***A note on Pepin, Wisconsin: Laura Ingalls Wilder was born there. Hence the heart palpitations.

Part Three:
In which I discover that I am too tall for log cabin doorways, in which my excitement turns quickly into a lump in my throat that must surely be deep emotion at seeing (once again) the birthplace of one's childhood (and present) idol.

Part Four:
In which I force Mother to traipse through a local cemetery looking for Ingalls relations. Here will be a dramatic moment in which I think I spot something. I race towards a marker in the distance...(anticlimax begin) only to realize mid-Julie-Andrews-leap that the tombstone is much too glittering and grand and new to be what I'm looking for.

Part Five:
In which we break for pie. Literally. I had peanut butter, Mother had blueberry. Just guess who chose the tastier slice.

Part Six:
In which we visit the disappointing local Laura Ingalls Wilder museum. After several minutes of pawing through unconnected junk, I finally venture to ask the romance novel reader behind the counter if there's anything that actually belonged to a member of the Ingalls family. Pointing a scraggly finger, she says in a scraggly voice,*** "Two quilts at the bottom of that display case." We look, and there they are. One is rather plain (faded navy and white), but one is beautiful and green and yellow and patchy and looks as though it had been made out of little prairie dresses, all cut into pieces (which, of course, it probably had been). It belonged to either Laura or Rose, and it's strongly suspected that Caroline made it.

***Note: I did marvelous impressions of this lady and her voice all the way home, to much acclaim. Since I can't be with you now to repeat my performance, you will simply have to imagine it. Hint: The Nanny minus the funny plus about a thousand cigarettes plus some grey hairs minus enthusiasm plus bitterness at having to man a dusty old museum day after day. Plus annoyance (her romance novel looked riveting).

Part Seven:
In which Mother and I continue our journey, winding along the St. Croix through hippie towns and unincorporated towns and cult towns and unincorporated hippie cult towns.

Part Eight:
In which we arrive in Red Wing, Minnesota, and attend a production of The Sound of Music in the beautiful (yet stifling hot) Sheldon theater. The thing about seeing The Sound of Music live is that you can’t very well fast forward through the dreaded “Climb Every Mountain" Scene. Gosh, I hate that song. It’s very inspiring, the actress performed it beautifully, and yet, I was practically rolling around in the aisles covering my ears and humming. How I hate that song.

An entertaining part about the play was that at a few different points, Reverend Mother’s skirt (robe?) got caught on the edge of her chair as she stood. Both times I waited breathlessly (okay, okay, eagerly) for the chair to be dragged down with a deafening crash, but her skirt always pulled off just in time.

Overall, it was a good play. Maria was fantastic. The children were cute (although Friedrich wasn’t a creeper! Amelia, I know we’ve discussed this in the past, but the next time you watch The Sound of Music movie version, keep your eye on Friedrich. He’s always standing awkwardly close to Maria, and he’s always trying to edge even closer.).

Part Nine:
In which we exit the theater, sucking in deep, cool, buggy breaths of night air. As we walk along the sidewalk, an open-air Jeep rumbles past. Over the rumblings, just barely, we could hear the driver and the passenger singing “Do Re Mi” with gusto.

Part Ten:
In which we hurtle home through the dark in The Black Beast (as our van is affectionately known). In which I am reminded of how lit up and beautiful St. Paul is at night, and why when I was little I used to force myself to stay awake whenever we drove through on our way home from Christmas Programs or Grandpa's house. How wonderful everything is at night.

Part Eleven:
In which we arrive home, and Mother promptly uploads the day’s photographs to Facebook. In which I groan inwardly as I see her do this. In which I decide to suck it up and be a darling daughter and say nothing. We make fun of Reverend Mother instead.

***Note: I did indeed begin writing this post last Friday. Obviously it’s taken me a few days to conjure up the masterpiece you are now reading. Sorry.

***Note: (Before you search, I should tell you that there aren’t any stars above that refer you to this note. I needed to write one more, though.) I apologize for the tense changes in the above ‘masterpiece.’ Someday I’ll go through and correct them. But not tonight.

***Note: A final note: I don't call my Mother "Mother" in real life. "Ma" when we tour log cabins. "Mommy Dearest" in bookstores. "Mom" in public. But never "Mother."